What is your latest release and what genre is it? Gutenberg’s Fingerprint: Paper, Pixels & the Lasting Impression of Books – Narrative nonfiction
Quick description: eReader in one hand, perfect-bound book in the other, author Merilyn Simonds asks herself: What is lost and what is gained as paper turns to pixel?
Gutenberg’s Fingerprint trolls the past, present and evolving future for an answer. Part memoir and part historical exploration, the book follows the production of her collection of flash fiction, The Paradise Project, as both a book-arts edition hand-typeset and hand-printed on Hugh Barclay’s antique press, and as a digital eBook designed by her son Erik. Her assumptions about writing and reading and the nature of creativity and change are toppled as she works alongside these two born-again Gutenbergs, one on either side of the digital divide.
A timely and fascinating exploration of the myths, inventions, and consequences of the current shift in how we read, Gutenberg’s Fingerprint is at its heart, the chronicle of one woman’s lifelong love affair with books.
Merilyn Simonds is the author of 17 books, including The Convict Lover, a Governor General’s Award finalist; and the novel, The Holding, selected a New York Times Book Review Editors’ Choice. Her work is published internationally in eight countries. The Founding Artistic Director of Kingston WritersFest, she writes a biweekly books column in the Kingston Whig Standard and teaches creative writing, mentoring emerging writers across the continent. She divides her time between Kingston, Ontario, and San Miguel de Allende, Mexico.
What are you working on now?
I have a novel, Refuge, coming out next year with ECW Press. I have just finished the first full draft of another novel, ~then~ , set in Mexico in 1994 in the early days of the Zapatista War and in 2016, shortly after the election of US President Trump.
Merilyn’s reading recommendation:
I am currently reading Mexican women writers. I just finished Here’s to You, Jesusa! by Elena Poniatowska, a brilliant example of “testimonial fiction,” a genre she created and perfected.